The Momentum of Motion Art
The Momentum of Motion Art. It’s funny how some phrases just stick with you, right? For me, that phrase isn’t just a catchy title; it’s practically been the engine driving my creative journey for years. When I think about motion art – you know, that cool stuff that moves, that breathes, that pulls you in without saying a single word – I don’t just see pixels shifting on a screen. I see energy. I see stories unfolding frame by frame. I see something almost alive. And getting to this point, where I can feel that connection and help others see it too, has been one heck of a ride. It started small, like a tiny seed of curiosity, watching animations or cool movie titles, and thinking, “How do they *do* that?” That question became a little push, and that push grew into something powerful, a kind of creative momentum that has kept me exploring and creating ever since.
If you’re someone who’s ever been mesmerized by a title sequence, a slick interface animation, or even just a cool GIF that perfectly captures a feeling, then you’ve felt a tiny bit of what motion art can do. It’s not just static pictures anymore. It’s art that dances, art that explains, art that *moves* you. And diving into creating that movement? Well, that’s where the real fun begins, and where you start to feel The Momentum of Motion Art yourself.
What is Motion Art, Anyway?
So, what exactly are we talking about when we say “motion art”? Think about it. You’ve got still paintings, photos, sculptures. They’re amazing, right? They capture a moment, an idea, a feeling, frozen in time. Motion art takes that idea and adds the fourth dimension: time. It’s art that unfolds. It’s not just about drawing characters that move, like in a traditional cartoon, though that’s part of the family. It’s about graphic design elements that slide and transition, typography that builds itself word by word, abstract shapes that pulsate and flow, visual effects that enhance reality. It’s visual communication that uses movement as its primary language. It’s in the intro to your favorite streaming show, the user interface on your phone when you swipe or tap, the digital billboards you see in a city, the visualizers for music, and so much more.
For me, the fascination started young. I remember watching those old school cartoons, not just the characters, but the backgrounds that seemed to move independently, the way the title cards would appear with a flourish. Then came video games, with menus that had subtle animations, and later, the internet, with its early, clunky animated banners. Each little bit of movement, no matter how simple, felt like a spark. It added a layer of life that a static image just couldn’t replicate. It wasn’t just seeing something; it was experiencing it as it changed and developed right before your eyes. That feeling, that sense of dynamic presence, was magnetic. It pulled me in and made me want to understand the magic behind it.
Getting started wasn’t about knowing fancy software; it was about noticing how things moved in the real world and wondering how to recreate that, or even create movements that couldn’t exist in reality. How does a drop of water splash? How does a leaf fall? How does light ripple? And then, how can I make a piece of text *feel* heavy or light just by how it appears and disappears? That kind of observation and curiosity is, I believe, at the core of truly understanding and creating motion art. It’s taking the principles of design – color, shape, composition – and adding the element of time and movement. It’s giving design a heartbeat.
Understanding motion art is like learning a new language, but instead of words, you use timing, easing (how fast or slow something moves), and choreography of elements. It’s about making conscious choices about *why* something moves, *how* it moves, and *when* it moves. These choices aren’t random; they’re made to tell a story, convey information, or evoke a specific emotion. And once you start seeing the world through that lens of movement, you begin to appreciate the artistry in places you never noticed before. This deeper appreciation is all part of embracing The Momentum of Motion Art.
Finding My Rhythm: Early Days & Experiments
Honestly, my first steps into making things move were… messy. We’re talking early days, limited tools, and a whole lot of trial and error. My first attempts weren’t exactly masterpieces you’d see in a gallery. They were more like awkward dances performed by hesitant shapes. I remember trying to make a simple ball bounce using some really basic software. Getting the timing right, making it squish a little when it hit the ground, making it look like it had weight – it was way harder than it looked! It wasn’t just about moving the ball from point A to point B; it was about making the movement *feel* real, or at least believable within its own little world. That involved keyframes, timing charts (even if I didn’t know that’s what they were called), and lots of playing around until it felt “right.”
I spent hours just messing around, trying to animate text, making simple shapes transform into other shapes, experimenting with speed and acceleration. There were so many frustrating moments. Why isn’t this moving smoothly? Why does this look so stiff? Why is this taking forever to render? But every now and then, something would click. A simple animation would suddenly look exactly how I imagined it, or even better. That feeling of bringing something to life, of seeing something *move* that only existed in my head moments before, was incredibly addictive. It fueled me to keep going, to learn more, to try harder. It was that initial spark igniting The Momentum of Motion Art within me.
I didn’t have fancy tutorials or online courses readily available back then like you do now. It was a lot of reading manuals (yep, actual paper manuals!), clicking every button in the software to see what it did, and dissecting animations I admired to figure out how they might have been made. It was slow, painstaking work, but because I was so driven by that desire to create movement, it never really felt like a chore. It felt like solving a puzzle, one frame at a time. And with each puzzle solved, no matter how small, my understanding grew, and my confidence got a little boost. Those early, clunky experiments were absolutely essential. They taught me patience, problem-solving, and most importantly, that every piece of amazing motion art started with someone just playing around and trying to make something move. The tools have changed dramatically since then, becoming much more powerful and accessible, but that fundamental curiosity and the willingness to experiment remain key.
More Than Just Pixels: The Feeling Behind the Motion
This is where motion art stops being just a technical skill and starts becoming, well, *art*. It’s not enough to just make things move. The real magic happens when that movement makes you *feel* something. Think about a scary movie intro – the way text might jitter nervously, or elements might slam onto the screen with a jarring impact. Or think about a calming meditation app – the gentle, flowing animations that help you relax. The motion itself is a powerful tool for conveying emotion and setting a tone. It can create tension, build excitement, evoke sadness, inspire joy, or guide attention. This emotional connection is a huge part of The Momentum of Motion Art.
I learned this lesson over time. At first, I was just focused on the technical “how” – how to make it move smoothly, how to time it right. But then I started thinking about the “why.” Why am I choosing this particular movement? What feeling am I trying to create? I worked on a short piece once that was meant to feel chaotic and overwhelming. I didn’t just make things move fast; I used jerky movements, elements colliding, things appearing and disappearing abruptly. It wasn’t “smooth” or “pretty” in a classical sense, but it *felt* chaotic. On another project, for something peaceful, I focused on slow, gentle easing, elements fading in and out softly, and movements that flowed into one another like water. The same basic tools, but used in completely different ways to create opposite feelings.
This is where personal experience really comes into play. Your own feelings, your observations of the world and how things move when they’re happy, angry, tired, or excited – all of that feeds into your ability to make movement expressive. When I’m working on a piece, I often think about the music it might go with, or the story it’s telling. What’s the mood of this story? Is it light and bouncy? Is it serious and heavy? Then I try to translate that mood into the movement itself. A heavy mood might mean slow, deliberate movements with strong impacts. A light mood might mean quick, airy movements that bounce and float. It’s a constant process of empathy – trying to understand the feeling you want to convey and finding the right visual language of motion to express it. This deep connection between movement and emotion is, to me, the soul of motion art, and it’s what gives The Momentum of Motion Art its real power and impact.
It’s not just about making things look cool; it’s about making them *feel* right. And that takes practice, observation, and a willingness to tap into your own emotions and experiences. It’s a powerful way to communicate non-verbally, reaching people on a gut level. That’s the goal – to create motion that isn’t just seen, but felt.
Tools of the Trade: My Go-To Kit
Okay, let’s talk gear. When I started, my “kit” was pretty basic. Like, *really* basic. We’re talking software that came free with hardware, or maybe a limited demo version. But even with simple tools, you could still learn the fundamentals of timing and movement. As I got more serious and the tools became more powerful and accessible, my go-to setup evolved. Today, the landscape of motion graphics software is huge, and what you use often depends on what you’re trying to create and your budget. But for me, a few pieces of software have become essential.
The heavy hitter for a lot of what I do is Adobe After Effects. It’s kind of the industry standard for motion graphics and visual effects. It’s incredibly powerful and versatile. You can animate pretty much anything in there – text, shapes, layers of images, even integrate with 3D software. It has a bit of a learning curve, for sure. When I first opened it, it felt like looking at the cockpit of a spaceship. So many buttons, panels, timelines! But gradually, piece by piece, it started to make sense. Learning about keyframes, graphs (the motion curves!), effects, pre-composing – it’s a journey. It’s not a tool you master overnight, but the more you learn, the more possibilities open up. It allows you to fine-tune every aspect of a movement, giving you incredible control over The Momentum of Motion Art you’re creating.
Alongside After Effects, I often use Adobe Illustrator and Photoshop to create the static assets – the graphics, the illustrations, the backgrounds – that I then bring into After Effects to animate. They work together really well. Sometimes, for 3D elements, I’ll dabble in software like Cinema 4D or Blender (Blender is amazing because it’s free!). Bringing 3D elements into motion graphics adds a whole new dimension of depth and realism, or even stylized unreality, depending on what you’re going for. While 3D has its own steep learning curve, even understanding the basics can open up a lot of creative doors in motion art.
More recently, character animation tools have become really user-friendly. Software like Character Animator lets you bring illustrated characters to life using your webcam and microphone, which is just wild when you think about it. This expanding toolkit is constantly pushing The Momentum of Motion Art forward, making complex techniques accessible to more people.
It’s easy to get caught up in the tools, thinking you need the latest and greatest software or hardware to start. But honestly, that’s not true. The most important “tool” is your creativity and your understanding of motion principles. You can learn so much with simpler programs, even free ones or apps on your phone. The tools are just instruments; you are the one making the music. They help you bring your vision to life, but the vision has to come from you first. So, while I have my preferred kit now, I always tell people to start with what they have and learn the fundamentals. The powerful software will be there when you’re ready.
Overcoming the Wiggles: Challenges I Faced
Let’s be real. It hasn’t always been a smooth ride filled with effortless creative flow. There have been plenty of frustrating moments, head-desk situations, and times I wanted to just give up. Learning motion art, or any complex creative skill, comes with its challenges. One of the biggest for me was just the sheer technical hurdle of the software. As I mentioned, opening After Effects for the first time was intimidating. There’s so much to learn, and sometimes you just feel lost in the interface, trying to figure out how to do even a simple task. I remember spending hours trying to troubleshoot why a layer wasn’t showing up, or why an effect wasn’t doing what I expected. Technical glitches are a fact of life, and they can really test your patience.
Another challenge, and one that every creative person faces, is the creative block. Sometimes, you just stare at a blank timeline or a list of project requirements and your mind is completely empty. Or you have an idea, but you just can’t figure out how to translate it into motion. How do you visualize that feeling? How do you make that concept move in a way that makes sense and looks good? It’s frustrating when your imagination is stuck in neutral. This is where pushing through is key. Often, the only way out of a creative block is to just start *doing*. Try anything. Make something move, even if it’s not what you planned. Sometimes that physical act of creation sparks the idea you were missing. This persistent effort is what keeps The Momentum of Motion Art from stalling.
Deadlines are another big challenge, especially when you’re working on projects for others. Suddenly, your creative process is on a clock. You don’t have infinite time to experiment and perfect. You have to make decisions, sometimes quickly, and work efficiently. This adds a layer of pressure that can be tough to handle, especially when you’re still learning. There were late nights, moments of panic, and times I had to simplify my vision because I just didn’t have the time to execute the complex version. Learning to estimate how long something will take, and learning when to say “that’s good enough for now,” are skills that come with experience.
And let’s not forget the dreaded render times! You spend hours creating a complex animation, and then you have to wait… and wait… and wait… for the computer to process it into a video file. Sometimes, after all that waiting, you spot a mistake and have to go back and fix it, then render again. It’s part of the process, but it can definitely be frustrating, especially when you’re eager to see the final result or show it to someone. Despite these hurdles, that drive to see the finished product, to bring the motion to life, is what helps you push through. It’s the power of The Momentum of Motion Art urging you forward.
But honestly, overcoming these challenges is part of what makes the successes so rewarding. Each time you figure out a technical problem, or break through a creative block, or deliver a project on time, you grow. You learn something new about the software, about your own creative process, and about your resilience. These struggles aren’t just obstacles; they are learning opportunities that build your skills and confidence.
The Flow State: When Everything Just Works
Contrast those challenges with the amazing feeling of being in “flow.” You know the feeling, right? When you’re working on something, and time just seems to disappear. You’re completely focused, ideas are coming easily, and the work feels less like effort and more like discovery. This is The Momentum of Motion Art at its absolute peak for me.
When I hit that flow state, I feel incredibly connected to the work. My hands seem to know what the mouse and keyboard need to do almost instinctively. Ideas for movements and timings just appear in my head, and translating them into the software feels seamless. It’s like the software is an extension of my thoughts. The usual frustrations fade away. Technical problems are solved quickly because my problem-solving brain is fully engaged. Creative decisions feel right, almost obvious. It’s a state of complete absorption and enjoyment in the process of creation.
One time, I was working on a title sequence for a short film. I had been struggling with the opening shot for days, trying to get the movement of the text and the background elements to feel right. Then, late one night, I put on some music that fit the mood of the film, and suddenly, it just clicked. The rhythm of the music seemed to guide the timing of the animation. I started moving elements around almost without thinking, responding to the beat and the melody. The text started to appear and dissolve in a way that felt organic and perfectly matched the tone. I worked for hours like this, completely lost in the process, fueled by the music and the visual ideas that were flowing freely. When I finally looked up, the sun was coming up, and I had created something I was truly proud of. It wasn’t just technically correct; it had a life to it, an emotional resonance I hadn’t been able to achieve before.
These flow states don’t happen every day, and you can’t force them. But I’ve found that they’re more likely to occur when I’m working on something I’m genuinely excited about, when I have a clear (or at least a developing) vision for the piece, and when I’ve put in the foundational work – understanding the tools and principles – so that the technical side doesn’t constantly trip me up. They are moments of pure creative joy, where the process itself is incredibly rewarding. They are the moments that remind me why I fell in love with motion art in the first place, and they contribute significantly to maintaining The Momentum of Motion Art over the long haul. They are little pockets of magic in the often-challenging journey of creating.
Collaboration and Community
While motion art creation can sometimes feel like a solo journey, working with others and being part of a community has been incredibly valuable for me. No one knows everything, and learning from others, sharing ideas, and getting feedback can push your skills and perspective in ways you wouldn’t achieve alone. This collaborative energy adds to The Momentum of Motion Art as a collective field.
I’ve had the opportunity to collaborate with graphic designers, illustrators, sound designers, video editors, and writers. Each person brings their own expertise and perspective to a project. A designer might create stunning visuals that I then bring to life with motion. A sound designer adds audio that completely transforms how the animation feels – timing your motion to sound effects or music is a huge part of making it impactful. Working with a writer helps ensure the motion art effectively supports the narrative or message. These collaborations teach you how to communicate your ideas, how to understand different creative languages, and how to work towards a common goal. It’s a different kind of challenge than a solo project, but incredibly rewarding when all the pieces come together.
Beyond direct collaboration, being part of an online or local community of motion artists is fantastic. Seeing what other people are creating is hugely inspiring. There are so many talented artists out there pushing the boundaries of what’s possible with motion art. Watching tutorials, seeing breakdown videos of complex projects, participating in challenges, and just chatting with other artists about techniques and tools helps you learn and stay motivated. I’ve learned countless tips and tricks from watching other artists share their process online. It’s a constant source of new ideas and different ways of approaching problems.
Sharing your own work and getting constructive feedback (even if it’s hard to hear sometimes!) is also vital for growth. When you’ve been staring at a project for hours, you can become blind to things that aren’t working. A fresh pair of eyes can spot issues with timing, composition, or clarity that you completely missed. It helps you refine your work and see it from a different perspective. Building these connections and engaging with the wider world of motion art creation definitely amplifies The Momentum of Motion Art, both for you personally and for the community as a whole. It reinforces that you’re part of something bigger, a constantly evolving art form.
The Momentum of Motion Art in Action: Real-World Examples
Where do you even see motion art? Pretty much everywhere these days! It’s become such an integral part of how we consume information and interact with technology. Think about the last app you used. When you tap a button, does something slide in? When you transition between screens, is there a smooth animation? Those are examples of motion art used in user interface (UI) design. It’s not just decoration; it helps guide the user, provides feedback, and makes the experience feel more polished and intuitive.
Explainer videos are another huge area for motion art. Instead of reading a long block of text explaining a complex idea, you can watch a short video with animated graphics and text that breaks it down visually. Motion art makes abstract concepts easier to grasp and makes information more engaging. Companies use these all the time to introduce new products, explain services, or describe processes. It’s a powerful communication tool.
Film and television titles and graphics are classic examples. Think of the iconic opening sequences of movies or TV shows. They set the tone, introduce characters or themes, and pull you into the world of the story, all through motion and design. These sequences are often incredibly complex and creative, miniature works of art in themselves. 
Motion art is also used in advertising, music videos, live event visuals (like concerts and shows), digital installations in museums or public spaces, and even educational content. The way motion can grab attention, convey information quickly, and create an emotional impact makes it incredibly versatile. The demand for skilled motion artists has grown massively as more and more platforms and industries recognize the power of movement in visual communication. It’s proof that The Momentum of Motion Art isn’t slowing down; it’s accelerating and finding new ways to shape our visual world.
Even in traditional fields, motion art is finding its place. Think about animated presentations that are far more dynamic than static slides, or interactive data visualizations that move and respond as you explore the information. The ability to add movement and time to visual information makes it richer and often more understandable. It’s exciting to see how motion art continues to evolve and integrate into new areas, constantly pushing the boundaries of what’s possible with dynamic visuals.
Future Forward: Where I See Motion Art Going
Looking ahead, I feel like The Momentum of Motion Art is only going to get stronger. Technology keeps evolving, and that opens up even more exciting possibilities for motion artists. Artificial intelligence, for example, is starting to play a role, not necessarily replacing artists, but providing new tools and capabilities. Imagine AI-powered tools that can automate repetitive animation tasks, suggest timing variations, or even help generate initial concepts based on simple inputs. This could free up artists to focus more on the creative, conceptual side of things.
Augmented Reality (AR) and Virtual Reality (VR) are also ripe for motion art. In AR, you’re placing digital elements into the real world through your phone or other device. These elements need to move and interact convincingly with the environment. In VR, you’re creating entire immersive worlds, and motion art is crucial for everything from animating objects and characters to designing the user interfaces within the virtual space. Think about interactive experiences where motion responds directly to your actions in real-time. That’s a whole new frontier for motion art.
Real-time rendering engines, originally developed for video games, are becoming more powerful and accessible. This means artists can potentially create and see complex animations update instantly, without the long render times that were once a major bottleneck. This drastically speeds up the creative process and allows for more experimentation. It’s a game-changer for maintaining creative flow and keeping The Momentum of Motion Art high during production.
I also see motion art becoming even more personalized and responsive. Imagine motion graphics that adapt in real-time based on user data, location, or even mood. This might sound a bit sci-fi, but the building blocks for this kind of dynamic motion art are already being developed. It moves motion art from being a static piece of content to something that is fluid and interactive.
Ultimately, the future of motion art is about making visuals more dynamic, more interactive, and more integrated into our increasingly digital world. As artists, our challenge and opportunity will be to harness these new technologies not just for novelty, but to tell better stories, communicate more effectively, and create even more engaging and impactful experiences. It’s an exciting time to be working in this field, and I can’t wait to see where The Momentum of Motion Art takes us next.
Your Turn to Create: Getting Started (Simple Steps)
Feeling inspired? Want to try making things move yourself? Awesome! The best way to start is just to… start. Don’t wait until you have the perfect software or know everything. The barrier to entry for motion art is lower than you might think, at least for getting a feel for the basics.
Here are a few simple steps you could take:
- Observe Movement: Start paying attention to motion art around you. How do logos animate? How do apps transition? Watch movie titles, explainer videos, and even just well-designed websites. Try to analyze *how* things move. Is it fast or slow? Does it bounce, or does it slide smoothly? What feeling does the movement create?
- Use Simple Tools: You don’t need expensive software to begin. There are free online tools, simple mobile apps, or even presentation software like PowerPoint or Keynote that have animation features. Play around with animating text and shapes in these programs. Understand the concepts of duration (how long something takes to move) and easing (how the speed changes during the movement).
- Learn the Basics of Keyframes: This is a fundamental concept in most animation software. A keyframe marks a point in time where a property (like position, size, or rotation) has a specific value. The software then creates the movement between these keyframes. Understanding this is key to controlling your animation.
- Experiment with Timing and Easing: This is where movement gets its personality. Moving something from A to B quickly feels different than moving it slowly. Making something start fast and slow down at the end (ease out) feels different than making it start slow and speed up (ease in). Play around with these to see how they change the feel of the animation.
- Find Simple Tutorials: Once you have a basic tool, look for beginner tutorials online for that specific software. There are tons of free resources available on platforms like YouTube. Start with simple projects, like animating a logo, making text appear creatively, or animating a simple character bounce.
- Don’t Aim for Perfect: Your first animations probably won’t be amazing, and that’s completely okay! The goal is to learn and practice. Every animation you create, no matter how simple, teaches you something new. Don’t be afraid to experiment and make mistakes. That’s how you learn.
The most important thing is to just dive in and start playing. That initial curiosity and willingness to experiment are what fuel The Momentum of Motion Art. Don’t get intimidated by the complex stuff you see professionals doing. They all started somewhere, usually with those same messy, experimental first steps I took.
Keeping the Momentum: Staying Inspired and Growing
Once you get started, how do you keep going? How do you make sure that initial spark doesn’t fade? For me, it’s about consistently feeding that creative energy and pushing myself to learn new things. It’s about actively maintaining The Momentum of Motion Art.
Staying inspired means constantly looking at what other artists are doing, not just in motion art, but in all forms of visual communication – graphic design, illustration, photography, film. What trends are emerging? What classic techniques are still relevant? What’s happening in technology that could impact motion art? I love browsing sites that showcase motion graphics, watching behind-the-scenes videos, and even looking at things completely outside of design, like nature or mechanical movements, for inspiration.
Learning is also a never-ending process. The software updates, new techniques are developed, and the industry evolves. Making time to learn new tools, explore new features in the software you already use, and practice new types of animation is crucial. This could be through online courses, tutorials, workshops, or even just setting personal projects to try something you haven’t done before. Every new skill you acquire adds another tool to your belt and expands your creative possibilities. It allows you to tackle more complex ideas and execute your vision more effectively.
Setting goals, even small ones, can also help maintain momentum. Maybe it’s learning a specific technique this month, or creating a short animation just for fun every week, or finishing a piece you’ve been putting off. These small achievements build confidence and keep you engaged. Sharing your work and getting feedback, as I mentioned earlier, is also a great motivator and learning tool. It helps you see your work through different eyes and understand areas for improvement.
And finally, remember *why* you started. What was it about motion art that first excited you? What kind of stories do you want to tell with movement? What kind of feelings do you want to create? Keeping that original passion in mind can help you push through the inevitable moments of frustration or self-doubt. The journey of motion art is a marathon, not a sprint, and consistently nurturing your curiosity and passion is key to maintaining The Momentum of Motion Art over the long run.
This journey isn’t just about mastering software; it’s about developing a unique voice, a personal style of movement that is distinctly yours. It’s about understanding how rhythm, timing, and visual energy can communicate ideas and emotions. It’s about the continuous exploration of bringing the static into dynamic life. Every project, whether big or small, successful or a learning experience, contributes to your growth as a motion artist and strengthens that internal drive. It’s this constant state of learning, creating, and evolving that truly embodies The Momentum of Motion Art.
Sometimes, looking back at where I started, with those clumsy bouncing balls and hesitant text animations, compared to the projects I work on now, it feels a little surreal. But the core feeling is the same: the excitement of making something *move*. That excitement is powerful. It’s what keeps me going, keeps me learning, and keeps me pushing the boundaries of what I can create. It’s that intrinsic motivation, that joy of seeing a vision come to life through movement, that is the true source of The Momentum of Motion Art.
So, whether you’re just curious, just starting out, or already deep into your own motion art journey, I hope you feel that sense of momentum. Embrace the learning, enjoy the process, and keep making things move.
Conclusion
Stepping back and looking at the whole picture of my time spent creating with movement, it’s clear that The Momentum of Motion Art isn’t just a concept; it’s the lived experience of bringing visuals to life, learning through challenges, and constantly seeking new ways to express ideas through time and space. It’s the spark of curiosity, the grind of learning, the joy of flow, the lessons from mistakes, and the inspiration from others, all combining to create a continuous forward motion in my creative life. It’s a journey that’s been incredibly rewarding, filled with countless hours of experimenting, troubleshooting, and finally, celebrating those moments when an animation just feels *right*. This field is always growing, always changing, and that constant evolution is part of what makes it so exciting. There’s always something new to learn, a new tool to try, or a new story to tell with movement. If you feel that pull towards making things move, towards adding that dimension of time to your visuals, then I encourage you to lean into it. It might just lead you on an amazing creative adventure, driven by your own version of The Momentum of Motion Art.
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Explore the world of dynamic visuals and see The Momentum of Motion Art in action: www.Alasali3D/The Momentum of Motion Art.com