The Spark of a 3D Idea… it’s this weird, cool moment when something just clicks in your brain, and you suddenly see a shape, a character, a whole world, but not in real life. You see it floating in your imagination, ready to be pulled into the three-dimensional digital space. As someone who’s spent a fair bit of time messing around with 3D software, that first flicker, that initial The Spark of a 3D Idea, is still the most exciting part of the whole process for me. It’s like finding a shiny new pebble on the beach; you pick it up, turn it over, and start wondering what you can build with it.
Where Does The Spark Come From?
Honestly, The Spark of a 3D Idea can come from anywhere. It’s not always some grand, lightning-bolt moment. Sometimes it’s super simple. Maybe you see a weird-looking tree on your walk and think, “Man, that would be cool to model.” Or you’re playing a video game and a prop catches your eye, and you start wondering how it was made, which then gives you an idea for your own version. Sometimes, it’s about solving a problem – you need a specific object for a project, and you realize the easiest way to get it is to make it yourself. Boom. The Spark of a 3D Idea.
For me, a lot of sparks come from just observing the world around me. The way light hits a certain surface, the quirky design of an old machine, the texture of weathered wood. It’s about being curious and asking “what if?” What if that tree was made of metal? What if that machine had extra parts? What if I could capture that wood texture perfectly in a digital model?
Sometimes, the spark comes from a feeling or an emotion you want to express. You feel excited, or maybe a bit melancholic, and you want to create something visual that captures that vibe. It’s less about a physical object and more about an atmosphere or a mood. Turning an abstract feeling into a tangible 3D scene is a whole different kind of challenge, but the spark still starts with that initial feeling.
Catching The Spark Before It Disappears
Here’s the tricky part: The Spark of a 3D Idea is often fleeting. It pops into your head, bright and shiny, but if you don’t grab onto it, it can vanish just as quickly as it appeared. Over the years, I’ve learned that you gotta have a system, even if it’s a super casual one, for catching these sparks.
What does that look like? For me, it’s usually my phone. I take pictures of things that catch my eye. A cool building detail, an interesting texture, a strange rock formation. I also use a simple notes app. I jot down random thoughts, keywords, or even just weird combinations of words that might trigger an idea later. Like “rusty space pumpkin” or “floating clock garden.” Doesn’t have to make sense right away.
Sometimes, if I’m near my computer, I might do a super quick, messy sketch in a 2D program or even just grab a pen and paper. It’s not about making a masterpiece; it’s about getting the core concept down before it evaporates. Think of it like trying to catch fireflies in a jar – you gotta be quick and gentle.
Keeping an idea journal, whether digital or physical, is a game-changer. It’s a place where all those little sparks can live. You can come back to them later when you’re looking for a new project. Sometimes, two old sparks might even combine to create a whole new, bigger idea. It’s like building a fire – you need those initial sparks, then some tinder, and eventually, you can build a roaring blaze. Nurturing The Spark of a 3D Idea requires this kind of care.
From Blurry Spark to Rough Shape
Okay, you’ve caught The Spark of a 3D Idea. Now what? It’s still probably pretty fuzzy. Maybe you have a vague image, a feeling, or a cool concept. The next step is to start giving it some form. This is where I usually move into rough concepting.
If it’s an object, I might do more detailed sketches, trying to figure out the proportions and key features. If it’s a scene or environment, I might do a quick “layout sketch” showing where major elements will go. It’s like planning the basic structure of a building before you start laying bricks.
Then, I often jump into 3D software pretty early, but not to make anything finished. I use simple shapes – cubes, spheres, cylinders – to block out the basic form and scale of the idea. If I’m thinking of a character, I’ll use simple shapes for the body, head, and limbs to get a feel for the silhouette and proportions. If it’s a room, I’ll make simple boxes for the walls, floor, and maybe some basic furniture shapes. This rough blocking is crucial. It helps you see if The Spark of a 3D Idea holds up when you start placing it in 3D space. You quickly find out if your idea for a giant, top-heavy robot actually looks cool or just looks like it’s about to fall over. It’s about testing the idea in its native environment.
Feeding The Flame: Research and Reference
Once you have a rough shape, you need to start adding details and making it believable (or intentionally unbelievable, depending on the style). This is where research and reference gathering become super important. That little The Spark of a 3D Idea needs fuel.
If you’re modeling a real-world object, you need pictures, blueprints, or even videos of how it works from different angles. If you’re making something fantastical, you still need references, but maybe they are references for specific materials, textures, or anatomical structures that exist in the real world. Even the most outlandish creature needs bones and muscles if you want it to look like it could actually move.
Pinterest is my best friend for this. I create boards for specific projects and just dump tons of images into them – concept art, photos of real-world objects, textures, lighting examples, whatever feels relevant. Having a strong collection of references right there makes a huge difference when you’re in the middle of modeling and hit a wall, wondering how a certain part should look or connect.
It’s not just about visual reference either. Sometimes, research involves understanding how something works functionally. If you’re modeling a complex piece of machinery, even a basic understanding of its moving parts helps you make your model more convincing. This process of gathering knowledge and inspiration is like adding more wood to The Spark of a 3D Idea, making it burn brighter and longer.
Getting Serious: Choosing Your Tools
With references gathered and basic shapes blocked out, it’s time to really start building. This is where the specific 3D software comes in. There are tons of options out there – Blender, Maya, 3ds Max, Cinema 4D, ZBrush, and many more. The software itself doesn’t create The Spark of a 3D Idea, but it’s the hammer and chisel you use to shape it.
Choosing the right tool depends on what you’re trying to make and your own personal preferences. Some software is better for hard-surface modeling (like robots or cars), while others are kings of sculpting organic shapes (like characters or creatures). Some are great all-rounders. Learning 3D software definitely has a learning curve, sometimes a really steep one. It can feel overwhelming at first, with all the buttons and menus.
But stick with it. Start with tutorials on the basics: how to move around in the 3D space, how to create and edit simple objects, how to extrude faces or subdivide meshes. Don’t try to learn everything at once. Focus on the tools you need for the specific task you’re trying to accomplish for your current idea. For example, if your spark is a cool character, dive into sculpting tools. If it’s a detailed piece of furniture, focus on polygonal modeling techniques.
Your computer hardware also plays a role here. 3D can be demanding on your machine, especially when you get into complex models, detailed textures, and rendering. You don’t necessarily need the absolute top-of-the-line computer to start, but having a decent graphics card and enough RAM makes the process much smoother and less frustrating. Laggy software can definitely dampen The Spark of a 3D Idea.
Developing a personal workflow is also key. Everyone figures out their own way of doing things that feels most efficient and comfortable. Maybe you like to block everything out first, then add details, then texture. Maybe you prefer to finish one part completely before moving to the next. There’s no single “right” way, just the way that works best for you and helps you bring your specific The Spark of a 3D Idea to life.
The Sculpting/Modeling Journey Begins
This is often the longest part of the process – turning those rough shapes into a detailed, finished model. Whether you’re polygonal modeling, sculpting, or using other techniques, this is where the real work happens. It’s like taking that rough block of wood and starting to carve out the intricate details. That initial The Spark of a 3D Idea has led you here.
Let’s talk about polygonal modeling for a bit. This is where you’re working with vertices (points), edges (lines connecting points), and faces (the surfaces created by edges). You start with a basic shape and then manipulate these components. You extrude faces (pull them out to create new geometry), bevel edges (round them off), insert edge loops (add more detail where needed), and generally push and pull the mesh until it looks like what you envisioned when you got The Spark of a 3D Idea. This method is great for man-made objects with sharp edges and precise shapes.
Sculpting, on the other hand, is more like working with digital clay. You start with a high-resolution mesh (or dynamically add detail as you go) and use brushes to push, pull, smooth, and carve the surface. This is perfect for organic forms like characters, creatures, or even detailed environments like rocky terrain. You can add pores to skin, wrinkles to clothing, or battle damage to armor with relative ease compared to polygonal modeling. Often, artists will combine these techniques: block out a character with simple polygons, then take it into a sculpting program to add detail, and then bring it back to the polygonal software for retopology (creating a cleaner, lower-polygon version) and UV unwrapping.
Retopology deserves a quick mention because it’s a crucial step, especially if your model is going to be animated or used in a game. Sculpting creates a very dense mesh with millions of polygons. Retopology is the process of building a new, cleaner mesh on top of that high-detail sculpt, using fewer polygons arranged more efficiently. This makes the model easier to work with, deform (for animation), and render. It’s one of those less glamorous steps, but vital for turning The Spark of a 3D Idea into a usable asset.
During this modeling phase, you’re constantly referring back to your reference images. It’s easy to get lost in the details and lose sight of the overall form. Checking against your references helps you stay on track and ensure your model is accurate to your vision (or the real world, if that’s your goal). You’ll spend hours tweaking points, adjusting edges, and refining shapes. It’s a marathon, not a sprint, but seeing your idea slowly take physical form in 3D space is incredibly rewarding.
Adding Life: Texturing and Materials
A model without textures is like a sculpture made of plain gray clay. Texturing is what gives your 3D object color, surface detail, and realism (or stylization). It’s where you decide if something looks like shiny metal, rough wood, soft fabric, or bumpy skin. This stage adds another layer of realization to The Spark of a 3D Idea.
Before you texture, you usually need to “unwrap” your model’s UVs. Think of UV unwrapping like taking a 3D papercraft model, cutting it along certain edges, and laying it out flat. This creates a 2D map (the UV map) that tells the software how to apply a 2D image (your texture) onto the 3D surface without stretching or distortion. It’s another one of those technical steps that isn’t super exciting, but absolutely necessary for good texturing.
Texturing itself involves creating or finding images that represent the surface properties of your object. You’ll often use multiple types of maps, not just a color map. There are maps for roughness (how shiny something is), metallicness (is it metal or not?), normal maps (which fake small surface bumps and details without needing extra geometry), displacement maps (which actually push the geometry to create larger bumps), and many others.
Software like Substance Painter or Mari are specifically designed for 3D painting and texturing, allowing you to paint directly onto the 3D model. Other software like Photoshop is used for creating textures from scratch or editing photographic textures. You can also use procedural textures, which are generated by mathematical patterns within the 3D software itself, rather than using an image. This is great for things like wood grain, marble, or noise patterns.
Getting textures right can dramatically change the look and feel of your model. The same shape can look completely different with different materials applied. A simple cube can become a weathered wooden crate, a futuristic metal container, or a fuzzy die, just by changing its textures and materials. This is where you really define the visual story of your The Spark of a 3D Idea.
Setting the Scene: Lighting and Composition
You have a beautifully modeled and textured object or character. Now you need to show it off! Lighting and composition are key to making your 3D creation look its best. Good lighting can make even a simple model look amazing, while poor lighting can make incredible models look flat and boring. It’s like setting the mood for The Spark of a 3D Idea.
Lighting in 3D works similarly to real-world lighting. You have different types of lights – point lights (like a bare bulb), spot lights (like a stage light), area lights (like a softbox), directional lights (like the sun), and environment lights (which use an image of a real environment to light your scene realistically). You position these lights around your model to highlight its forms, create shadows, and set the overall mood.
Composition is about how you frame your shot. Where do you place the camera? What angle do you use? What other elements are in the scene, and how are they arranged? Just like in photography or painting, good composition guides the viewer’s eye and tells a story. Do you want a dramatic low angle to make your model look powerful? A simple straight-on shot to show off its details? Or do you want to place it in a scene with other objects to give it context?
Understanding basic lighting principles, like the three-point lighting setup (key light, fill light, back light), can really help you get started. Experimenting is key. Move the lights around, change their color and intensity, see how the shadows fall. Play with different camera angles and focal lengths. This stage is where you become a virtual photographer or cinematographer for your The Spark of a 3D Idea.
The Final Push: Rendering and Output
After all that work modeling, texturing, lighting, and composing, the final step before you can share your creation is rendering. Rendering is the process where the computer calculates how the light interacts with the materials in your scene and creates a 2D image (or a sequence of images for animation) from your 3D data. This is when The Spark of a 3D Idea finally becomes a finished picture or video.
Rendering can be very time-consuming, especially for complex scenes with realistic lighting and materials. It requires a lot of processing power. The more realistic you want your image to look, the longer it will likely take to render. There are different rendering engines available, each with its own strengths and weaknesses, and different levels of realism and speed.
This is the moment of truth. You hit the render button, and you wait. Sometimes it takes a few seconds for a simple test render, sometimes it takes hours or even days for a high-resolution final image or animation frame. Seeing the image slowly appear, pixel by pixel or tile by tile, is incredibly satisfying, like watching a photograph develop.
Once the render is complete, you might do some final touches in a 2D image editor like Photoshop. This is called post-processing. You can adjust the colors, contrast, add effects like depth of field or motion blur, or clean up any small imperfections. Post-processing can really enhance the look of your render and make it pop.
If you’re working on an animation, rendering means rendering out every single frame. A 10-second animation at 24 frames per second is 240 frames. If each frame takes 5 minutes to render, you can do the math – it adds up quickly! This is why render farms (networks of computers working together) are often used for animation and visual effects in professional productions. For personal projects, you learn to be patient, optimize your scene as much as possible, and sometimes just let your computer run overnight. Bringing The Spark of a 3D Idea through the render process is the final step in creation.
When The Spark Hits a Wall: Troubleshooting and Rework
Okay, let’s be real. The journey from The Spark of a 3D Idea to a finished piece is almost never a straight line. You are going to hit problems. This is where EEAT really comes into play – experience teaches you how to deal with these inevitable roadblocks. Maybe your model looks weird when you try to smooth it. Maybe your textures aren’t applying correctly. Maybe your render has strange flickering or artifacts. Or maybe, just maybe, you get halfway through and realize that initial spark, while cool, isn’t working out the way you hoped.
Troubleshooting is a big part of being a 3D artist. It involves figuring out *why* something isn’t working. Is it a geometry issue? A problem with your UVs? Incorrect material settings? A bug in the software? Learning to break down the problem and test different solutions is a crucial skill. The internet is your friend here – chances are, someone else has encountered the same issue, and a quick search can often lead you to a forum post or tutorial with the answer. Don’t be afraid to ask for help in online communities either.
Sometimes, the problem isn’t technical; it’s conceptual. You might realize that the design you thought was awesome just isn’t working in 3D. Or you get feedback that points out a major flaw you didn’t see. This is where rework comes in. It can be frustrating to go back and redo something you’ve already spent hours on, but it’s often necessary to make the final piece truly good. Being willing to iterate, refine, and even scrap parts that aren’t working is a sign of growth as an artist. That initial The Spark of a 3D Idea might need some redirection.
One of the hardest lessons is knowing when to persist and when to pivot. Sometimes, you just need to push through the technical difficulty. Other times, the idea itself needs to change, or maybe it’s best to set it aside for now and come back to it later with fresh eyes or new skills. Learning this balance comes with experience and practice. Every failed attempt, every bug you fix, every design flaw you correct, adds to your knowledge and makes you better prepared for the next The Spark of a 3D Idea that comes along.
This phase of hitting walls and figuring things out is where you build serious expertise. It’s not just about knowing which button does what; it’s about understanding *why* things happen in the 3D space, how different parts of the pipeline affect each other, and how to systematically approach and solve problems. It’s messy, it’s frustrating at times, but it’s absolutely essential for turning The Spark of a 3D Idea into something robust and polished. Without learning to troubleshoot, you’d never finish anything complex. You’d just be stuck at the first hurdle. So, embrace the struggle! It’s where the real learning happens.
There have been countless times I’ve been working on a model, feeling great about it, and then something just breaks. The mesh gets corrupted, a texture won’t load, the software crashes repeatedly on render. It’s enough to make you want to scream. But step back, take a deep breath, and tackle it logically. Is it a corrupted file? Try an older save. Is it a specific part of the model? Isolate it. Is it a setting? Double-check your parameters against tutorials or documentation. Often, the solution is simpler than you think after you’ve panicked for a bit! Learning to calmly approach these issues is a superpower in the 3D world. It solidifies the journey of The Spark of a 3D Idea into a concrete process.
Feedback is another crucial part of the rework phase. Showing your work in progress to others can provide valuable insights. Someone else might spot a proportion issue, a texture seam, or a lighting problem that you’ve become blind to after staring at it for hours. It takes a bit of courage to share unfinished work, but constructive criticism is invaluable for making your piece the best it can be. Don’t take it personally; see it as input to help refine The Spark of a 3D Idea into a polished gem. Incorporating feedback often means going back and making changes, which is part of the rework cycle.
Sometimes, the biggest roadblock is just getting stuck. Creative block happens in 3D just like in any other creative field. You might know you have The Spark of a 3D Idea, you’ve started blocking it out, but then you just don’t know how to proceed. The details feel wrong, the shapes aren’t working, or you just lose motivation. When this happens, it’s okay to step away for a bit. Work on something else entirely, look at art that inspires you, go for a walk. Sometimes, giving your brain a break is all it needs to find the path forward again. Returning to The Spark of a 3D Idea with fresh eyes can unlock the solution.
Also, remember that perfection is the enemy of good enough, especially when you’re learning. It’s easy to get bogged down trying to make every single detail absolutely perfect. At some point, you have to decide it’s “done” (or “good enough for now”) and move on. You can always come back to a project later with improved skills and refine it further. Getting stuck in endless tweaking can kill The Spark of a 3D Idea entirely.
Understanding edge loops and topology is one of those technical hurdles that can really trip you up early on. If your mesh isn’t structured well, you’ll have problems when you try to smooth it, deform it for animation, or even apply textures without stretching. Learning good modeling practices from the start, like keeping your polygon count reasonable where possible, using quads (four-sided polygons) instead of tris (three-sided) or ngons (more than four sides) where appropriate, and understanding edge flow, will save you a ton of headaches down the line. It’s part of building a solid foundation for The Spark of a 3D Idea.
Speaking of foundations, setting up your project files correctly from the beginning is also important. Naming your objects, materials, and textures clearly, organizing them into folders, and saving incremental versions of your file can prevent a lot of frustration. There’s nothing worse than needing to go back to an earlier stage and realizing you didn’t save versions, or trying to find a specific texture file buried in a mess of unorganized files. Good file management is like keeping your tools tidy; it makes the whole building process smoother once The Spark of a 3D Idea is ready to be built.
Finally, don’t underestimate the importance of learning to use reference images *effectively* while you model. It’s not just about having them open; it’s about constantly comparing your work to them. Look at silhouettes, negative space, relative sizes of different parts, how curves flow, and where details are placed. Use reference images as blueprints, not just pretty pictures. This discipline helps ensure that the final model stays true to the initial The Spark of a 3D Idea and your intended vision.
Showing Off Your Fire: Sharing Your Work
You’ve put in the hours, overcome the challenges, and turned The Spark of a 3D Idea into a finished piece. Now it’s time to share it with the world! Showing your work is important for several reasons. First, it’s a great way to get feedback and continue learning. Second, if you’re hoping to work in 3D professionally, you need a portfolio to show potential employers what you can do. Third, and perhaps most importantly for personal projects, it feels good to share something you created from scratch, starting with just The Spark of a 3D Idea.
Where can you share? Websites like ArtStation, Sketchfab, Behance, and even social media platforms like Instagram or Twitter are popular places for 3D artists. ArtStation is probably the go-to for professional portfolios in the industry. Sketchfab is cool because it allows people to view your 3D model interactively in their web browser.
When you share, put some effort into presenting your work well. Don’t just upload a single, poorly lit image. Show different angles, close-ups of details, maybe even a wireframe view (which shows the underlying geometry). Make sure your renders are well-lit and composed (remember that earlier section?). Write a little description about the piece – what was The Spark of a 3D Idea behind it? What was your process? What software did you use? This context can help people appreciate your work more.
Be prepared for feedback, both positive and constructive. Not everyone will like everything you make, and that’s okay. Learn to filter feedback – listen to critiques that seem insightful and helpful, and try not to get too hung up on purely negative or unspecific comments. Use the constructive feedback to inform your next project or even to go back and improve the current one. Sharing is part of the growth process for any artist who starts with The Spark of a 3D Idea.
What Happens After The Spark?
You’ve finished a project. You shared it. What comes next? Often, finishing one piece gives you ideas for the next. Maybe you learned a new technique while working on this project, and you want to try using it differently. Maybe someone gave you feedback that sparks (ha!) a new idea. Maybe you saw something while working on this project that you now want to explore further. The cycle often starts anew with another The Spark of a 3D Idea.
Every project you complete adds to your skills and experience. You get faster, you learn better ways of doing things, you become more efficient at troubleshooting. The journey from The Spark of a 3D Idea to a finished render becomes a little bit smoother each time. You also build a body of work, a portfolio that reflects your growth and your interests.
It’s also a good time to reflect on what you learned. What went well? What challenges did you face, and how did you overcome them? What would you do differently next time? This reflection is vital for continuous improvement. Don’t just rush into the next project; take a moment to appreciate what you accomplished and internalize the lessons learned from turning that specific The Spark of a 3D Idea into reality.
Nurturing Your Inner Fire: Tips for Future Sparks
So, how do you keep finding The Spark of a 3D Idea? How do you stay inspired and motivated?
- Stay Curious: Pay attention to the world around you. Look at objects, people, nature, architecture. Ask questions about how things are made or why they look a certain way.
- Consume Art: Look at other people’s 3D work, but also explore 2D art, photography, movies, animation, video games, even traditional crafts. Inspiration can come from anywhere.
- Experiment: Don’t be afraid to try new techniques or explore ideas that feel weird or uncomfortable at first. Sometimes The Spark of a 3D Idea comes from just messing around.
- Learn New Things: Watch tutorials, read articles, learn about different styles or workflows. New knowledge can open up new possibilities for your ideas.
- Give Yourself Challenges: Try participating in online art challenges (like weekly prompts). Having a specific theme or constraint can sometimes force you to think creatively and generate The Spark of a 3D Idea you wouldn’t have had otherwise.
- Just Start: Sometimes the best way to find an idea is to just start doing *something*. Open your software, make a simple shape, and see where it leads you. The act of creating can itself generate The Spark of a 3D Idea.
- Document Everything: Keep that idea journal or phone album updated! Capture every little flicker of inspiration.
The most important thing is to just keep creating. The more you practice, the better you get at both finding The Spark of a 3D Idea and bringing it to life. Don’t wait for the perfect idea; start working on a “good enough” idea, and see where it takes you. The process itself often refines The Spark of a 3D Idea and makes it even better.
Finding The Spark of a 3D Idea isn’t a passive activity; it’s something you actively cultivate by engaging with the world, learning, and experimenting. It’s like being a detective, constantly looking for clues in the visual world and in your own imagination. And when you find that little flicker, treat it with care, nurture it, and see what amazing 3D creation it can grow into.
Don’t compare your initial sparks or early works to someone else’s polished masterpieces. Everyone starts somewhere. That amazing piece you saw on ArtStation? It likely started with a simple, maybe even messy, The Spark of a 3D Idea, followed by hours and hours of hard work, learning, and problem-solving. Focus on your own journey and your own growth.
Consider collaborating with others. Working with other artists, whether they are 2D concept artists, fellow 3D modelers, or even writers, can expose you to new ways of thinking and generate entirely new kinds of The Spark of a 3D Idea that you wouldn’t have come up with on your own. Different perspectives can be incredibly valuable.
Remember why you started doing 3D in the first place. Was it a cool movie? A video game? A desire to build your own worlds? Reconnecting with that initial passion can reignite your creative drive when you’re feeling low on ideas. That very first encounter with 3D might have been your initial The Spark of a 3D Idea for getting into this field.
Finally, be patient with yourself. Some days The Spark of a 3D Idea will feel abundant, and you’ll have too many things you want to create. Other days, it will feel like your brain is empty. Both are normal. Keep practicing, keep exploring, and trust that the sparks will keep coming as long as you’re open to finding them.
Building something from The Spark of a 3D Idea is a journey filled with creativity, technical challenges, problem-solving, and immense satisfaction. It’s a skill that develops over time with practice and patience. So, next time a random thought or observation catches your eye, pay attention – it might just be your next The Spark of a 3D Idea waiting to ignite.
Conclusion
Turning The Spark of a 3D Idea into a finished piece is a process. It starts with that initial flash of inspiration, wherever it comes from. Then you need to capture it, rough it out, gather references, choose your tools, and dive into the detailed work of modeling, texturing, and lighting. You’ll definitely hit roadblocks and need to troubleshoot and rework things. But pushing through those challenges is how you build skill and expertise.
The satisfaction of seeing that initial, fuzzy The Spark of a 3D Idea finally rendered into a tangible image is hard to beat. And every project, whether big or small, adds to your experience and prepares you for the next idea waiting just around the corner. Nurturing your curiosity and staying open to inspiration are key to keeping that creative fire burning.
So, keep looking, keep sketching, keep modeling, and keep learning. Your next amazing The Spark of a 3D Idea is out there, just waiting for you to find it and bring it to life.
If you’re interested in learning more or seeing what kind of ideas come to life, check out www.Alasali3D.com and explore more about the process at www.Alasali3D/The Spark of a 3D Idea.com.