3D

3D Element Guide. Man, thinking about that phrase takes me back. It sounds kinda technical, right? Like something you’d find buried in a dusty manual or a super dry textbook. But honestly, for someone like me who’s spent a decent chunk of time messing around with 3D stuff, having a solid 3D Element Guide is […]

Blender 3D Frame… that’s where it all starts, right? When you first dip your toes into the wild ocean of 3D animation using Blender, you quickly bump into this idea of a “frame.” It sounds simple enough, like flipping through a physical book really fast to make the pictures move. And honestly, that’s a fantastic

CGI Motion Design: Bringing Ideas to Life CGI Motion Design… that’s where the magic really happens, if you ask me. It’s like taking a blank canvas, but instead of paint, you’ve got pixels, polygons, and a whole lot of imagination. For years, I’ve been elbow-deep in this stuff, helping ideas jump off the screen and

CGI Project Flow – it’s a phrase I hear a lot in my line of work. Maybe you’ve seen amazing computer-generated images or animations in movies, commercials, or even product photos online and wondered, “How in the world do they make that happen?” Well, I’ve spent a good chunk of my career knee-deep in that

VFX Scene Details – man, where do I even start? If you’ve ever watched a movie or a show with visual effects and thought, “Wow, that looks *real*,” chances are it wasn’t just the big explosions or the crazy monsters that sold it. It was the tiny stuff. The almost invisible bits that make the

CGI FX Flow… it sounds maybe a little technical, right? Like something only folks with pocket protectors and a PhD in digital wizardry talk about. But honestly, if you’ve ever watched a movie and seen something explode just right, or water splash convincingly, or a creature move like it’s really there, you’ve seen the results

3D Base Model: My Two Cents 3D Base Model… it’s a phrase that might sound kinda technical, like something straight out of a sci-fi movie or a high-level design studio. But honestly, it’s become such a fundamental part of what I do, it feels as normal as grabbing a cup of coffee in the morning.

VFX Texture Pass… just hearing those words brings back a flood of memories. It’s one of those things in the visual effects world that sounds maybe a bit dry on the surface, but trust me, it’s anything but. For anyone knee-deep in making digital stuff look real, or even just starting out and wondering how

Blender Displacement Map. Those three words, when I first truly understood what they meant, felt like unlocking a secret door in my 3D journey. Before that, making stuff look bumpy, worn, or detailed meant either sculpting for hours on end or relying on textures that only *looked* bumpy from a distance (those were normal maps,

D Loop FX: My Story with This Cool Tool D Loop FX… yeah, that phrase brings back some memories. Not always easy ones at first, but definitely good ones now. If you’re messing around with 3D stuff, animation, or just trying to make your digital art pop, chances are you’ve heard of or will bump